Tag Archives: CLA

The Sinar Norma CLA Guide

The Sinar Norma CLA Text Guide

An illustrated description of how to CLA a 4×5 Sinar Norma camera.

Download it here

The Sinar Norma CLA Video Guide

Read about this video guide.

To use the Sinar Norma CLA Video Guide, watch each one of the videos below in order. Click on the large number to the left of each chapter description to download that chapter’s video. This page links you to each chapter of the video and lets your computer figure out how to play it. VLC and Quicktime will both do a fine job of playing these videos.

If you would like to download the entire video guide in one fell swoop, there are four ways you can do so! Here’s the list:

  • Download an ISO (a full digital copy of the full DVD) of the Sinar Norma CLA Video Guide using Bittorrent. This is an 8GB file! Download this torrent file and use a bittorrent client to download the ISO. Then use something like VLC to play the ISO file on your computer.
  • Directly download the ISO of the video guide using your web browser. Click here to download the 8GB file.
  • Download a compressed version of the video guide using Bittorrent. This is a 1.5GB download. Download this torrent file and use a bittorrent client to download the compressed version of the video guide. Then use something like VLC to play the ISO file on your computer.
  • Directly download a compressed version of the video guide using your web browser. Click here to download part 1, and click here to download part 2.

And if you would like to download one chapter at a time, use these links:

Introduction
Chapter 1 describes the supplies you will need to complete a CLA on your Sinar Norma.
Chapter 2 overviews some general concepts that are helpful to know while you are doing a CLA on your Sinar Norma.
Chapter 3 describes some of the terminology that will be used in this video.
Chapter 4 begins disassembly of the camera.
Chapter 5 shows you how to remove the tilt locking screw.
Chapter 6 shows you how to separate the two halves of the fine focusing assembly.
Chapter 7 shows you how to clean the bottom side of the fine focus assembly.
Chapter 8 shows you how to remove the shift bar from the top side of the fine focus assembly.
Chapter 9 shows you how to clean the shift bar.
Chapter 10 shows you how to remove the swing assembly from the top side of the fine focus assembly.
Chapter 11 shows you how to reassemble the components on the lower part of the standard.
Chapter 12 shows you how to remount the shift bar.
Chapter 13 shows you how to rejoin the two halves of the fine focus assembly.
Chapter 14 shows you how to secure the gib setscrews.
Chapter 15 shows you how to clean and lubricate the lensboard holders.
Chapter 16 shows you how to remount the lensboard holder and service the monorail bushings.
Chapter 17 shows you the process of servicing an entire standard from beginning to end. This chapter presents a few new pieces of information, but most of it duplicates previous chapters, so the video has been sped up in parts.
Chapter 18 shows you how to lubricate the monorail.
Chapter 19 shows you how to adjust the standard rotation setting.
Chapter 20 shows you how to adjust the swing center detents so that both standards are parallel to each other in the swing axis.
Chapter 21 shows you how to adjust the tilt center detents so that both standards are parallel to each other in the tilt axis.After you complete this chapter, you’re done with your CLA!

via The Sinar Norma CLA Guide – Philip Morgan dot net.

 


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Yashica Mat 124 Cleaning : Taking Lens

A Great tutorial on how to clean the normal taking lens

 

Yashica Mat 124 Cleaning (1 of 4): Taking Lens

Yashica mat 124 with front taking lens removed

The next four posts will be on the cleaning I finished today on my Yashica Mat 124.  This was not a full CLA (clean-lube-adjust) mostly because I’m not confident I’d be able to get it working again if I got into the precision mechanisms on the camera.  Instead, I focused on fixing the major problems I mentioned in First Shoot Results: Yashicamat 124 Issues: an oil-fogged taking lens and a major light leak.

There are four parts to this series (I’ll link them up as I get them done):

  1. Cleaning the taking lens (this post).
  2. Cleaning the viewing lens, mirror, and screen.
  3. Light seal replacement on the door (to fix the light leak).
  4. Fixing the light meter (a.k.a. retrofitting a battery to work).

I am posting this information because I believe it can be helpful to the general public, both for fixing up old Yashica Mats (these techniques will likely work on a 124G also) and just to show that if I can fix up an old camera, you probably can too!

Of course, I need to give the standard disclaimer: attempting this procedure could easily damage your camera and/or lenses.  So know the risks going in, and if in doubt, take it to a professional!

* * * * *

I started by cleaning the taking lens mostly because it was the task I was most afraid of, and if I screwed up the main lens or shutter, there’s no point in putting time into the other stuff.  Cleaning the taking lens requires removing one or more of the lens elements using a spanner tool.  The spanner tool fits into these little notches on the lens:

detail of front of Yashicamat 124 taking lens

Of course, I don’t have a spanner tool.  And, they cost $20 or more (and I do not think a regular spanner can reach into the back of a 124, but correct me if I’m wrong!).  The other option was to take the $70 camera into a shop and pay more than the camera is worth, so it was time to figure something out.  I eventually settled on this odd tool:

DIY spanner tool

Yes, this is two blocks of wood, screwed together, with nails through the cube-like chunk.  I drilled holes in the wood to prevent the wood from cracking.  The idea was that the nail points would act like the spanner tips, and I could bend the nails to adjust it.  I hit a snag when I first applied the tool to the front lens element and it popped out of the notches, scratching my finish.  Yikes!

So, I backed off and regrouped, resigning myself to buying an actual spanner tool online.  But, after reading more (including this great thread at photo.net on cleaning the taking lens of a 124G), I realized that most people just jimmied something together to replace the spanner tool, and the lens really isn’t on there that tightly.  I also realized that my nail tips were way too blunt, so I sharpened them with a rotary tool:

Tip detail of DIY spanner tool

Then, placing the ‘tool’ (I loose the term loosely) into the notches, I was able to easily rotate the front element out.  It really does not take much force at all, which was a nice surprise for me.  I’ve heard you can do it with a screwdriver and a small hammer, but try to get a spanner before you try that!

Removing front element of Yashica mat 124 taking lens with DIY tool

Note the scotch tape over the lens to protect it in case I slipped.  The tape also makes it easy to rotate the lens out without using the tool once it is loosened.  Once removed, the blades of the shutter are revealed (the aperture is wide open and hidden):

Yashicamat 124 without front element (showing shutter)

Now, some people recommend cleaning the front of the rear element by forcing the shutter open on bulb with a locking shutter release.  Of course, I do not have one of those, and I did not want to run the risk of getting solvent on the shutter mechanism (which often wicks into the internals) so I decided to remove the rear element also.

I read online that it is possible to unscrew the rear element with your fingers (in gloves) so I tried that, but all I accomplished was smudging my lens with whatever lube was on the household gloves I used.  I DO NOT recommend that because it was quite hard to clean off.

Yashica mat 124 rear element with smudges from rubber gloves

Instead, I bent my homemade spanner into shape and got it out easily.  This is the back of the shutter:

Back of yashica mat 124 shutter

And these are the lens elements, front and back:

Front and rear elements of Yashicamat 124 taking lens

Front and rear elements of Yashicamat 124 taking lens (other side)

Note the paper towels that I laid down under my work area to keep everything clean and unscratched.

In my camera, pretty much all the oil residue (that was ruining my images) was on the front of the rear element.  I used rubbing alcohol, q-tips, and lens paper to remove it, but I’d recommend a better solvent if you can get it.  Definitely don’t use rubbing alcohol if it has anything in it besides alcohol and water!  And, avoid getting it in the camera body because the water in it can cause things to rust!

Then, I reassembled the lens elements.  Again, scotch tape came to my aid because it gave me good grip on the front element (screwing it in and finishing with the homemade spanner):

Using tape to replace front lens element

It also helped with the back element:

Tape stuck to the back element

Allowing me to lower it into place with pliers (I don’t want anything scratched in the light box!):

Lowering rear element into place

Sadly, it was too hard to screw it back in with the tape, so I used a pointy tool to push on the notches until it was screwed in, then tightened it (lightly!) with the spanner.

Screwing Yashicamat 124 rear element back into place

And, the end result?  A perfectly clean lens (well, there are a few specs of dust in it):

A view through a cleaned Yashicamat 124 lens

I’ll tell you, this fix had me very worried and it took me two weeks to start on it because I did not realize how easy it would be to remove the lens elements.  Don’t hesitate to try this on a cheap camera yourself if you can handle the risk of damage.  Just go slow, be careful, be careful again (one slip of a screwdriver can do damage!), but realize you don’t necessarily need to hire someone to clean your lens!

If you have any questions, let me know.  And next time, I’ll let you know how the viewing lens and screen cleaning went!

via Yashica Mat 124 Cleaning (1 of 4): Taking Lens « Used Camera Database Blog.

Rolleiflex 2.8F Review

Source:Photography Matters

Imagine if you had to choose just one camera and lens for all your photography for the rest of your life. You can make it whatever you want but there’s no going back. Film or digital? 35mm or medium format? Large format? You can make a case for lots of different cameras depending on the type of work you want to do with them.
Given that scenario, I’d go for the Rolleiflex 2.8F every time. Over the years I’ve used a lot of cameras. Some of them I’ve posted about under the “favourite cameras” tab. I’ll get round to writing about some others one day but the one that never failed me and proved more versatile the more I used it was the Rollei.
I say “was” because I haven’t put a roll of film through it for years. And the bad news is that it has now started to develop a little fungus between the elements of its fabulous 80mm Planar lens. Of course, it’s that superb glass that is the heart of the Rolleiflex and that’s why I’m thinking about sending it away to be CLA’d. The focusing screen is also a little dim now having picked up some scratches over the years.

Dim and Distant

That’s the real reason that the Rollei hasn’t seen a lot of use over the last decade: I found I could no longer easily focus it. When you look down into the collapsible hood you see a picture that is laterally reversed. It takes a little while to get used to this but pretty soon it becomes second nature. I’d lost the knack when I picked up the Rollei after a period of years and when I found that I was really having to strain to get the image in focus as well, I decided it was time to put it aside.
I read on the internet about replacement screens but these were so expensive I couldn’t justify the outlay. Then someone said that a Mamiya RB67 screen could be cut down to fit and that made more sense. I managed to get one off Ebay but haven’t fitted it yet. Maybe whoever does the CLA can fit it for me.
Sticky Shutter
It was round about that time, say six months ago, when I noticed that the glass wasn’t looking quite as pristine as it used to. The camera’s in pretty good condition considering it’s about 46 years old – just a couple of years younger than I am – but it’s always suffered from sticky slow speeds. Normally the one and half second setting will fire OK but sometimes the shutter sticks wide open. That’s something else that the CLA should cure.
So what’s so good about the Rollei? First, kind of like the Leica, it’s just a beautifully built camera that’s lovely to hold and operate. Unlike the Leica, however, which produces results that are not discernibly better than other top 35mm cameras, the Rollei’s images are superb. When you pop a fantastic lens like the 80mm Planar on the front, couple it to a near silent and vibration-free shutter and add in the Rollei’s engineering integrity, you have a recipe for success.
OK, so I’d be restricted to just one lens instead of choosing a camera with a zoom but the 80mm focal length equates to something like a 35mm lens on the 35mm format if printed square and a 43mm lens if printed onto 8×10″ paper and is much more versatile than you’d think. The vast majority of photographs during the film era were taken somewhere in the 40-50mm range although I’d imagine that would no longer be the case for digital cameras most of which are equipped with wide-range zooms. A focal length of 40mm or so is my favourite anyway so the Rollei is ideal for my particular view of the world.
Nowadays, I’ll come back from a photography trip with hundreds and hundreds of images, many of which are duplicates of the same scene as I tried different views and adjusted exposure, etc. With 35mm this tendency was nowhere near as acute but out of 36 explosures it was uncommon for there to be more than about eight that you could say were different in the sense of being completely separate photographs rather than variations on a theme. With the 12 shots available on the Rollei (24 if you used 220 film), you had to make every one count. Under that sort of pressure I definitely took far more care and gave the scene much more thought.

Then there’s the square format. If you’ve only ever seen the world as a rectangle, you tend to think that it will be difficult composing within a 6x6cm square. But you’d be wrong. It didn’t seem to matter whether it was a landscape, a portrait, a street shot, or whatever, the square format is just a powerful way of representing a three dimensional world in two dimensions. It’s especially good for street work or, strange as it might seem, as a walkabout camera. It doesn’t appear to intimidate people the way a big DSLR like the D700 can and the fact that you’re looking down into the hood lends the process of photographing someone an air of detachment. It’s just less confrontational.

Looking at some of the pics on this post, I can see that my Rollei might need a bit of a renovation on top of a CLA. It’s missing some leather from the front panel from the time a few months ago when I decided to take the front off to see if I could get at the fungus. That’ll need to be replaced. Then there’s a lump under the leather on the winder side of the camera where there’s some corrosion on one of the screw heads. Maybe it’s time to strip all the leather off, clean everything up and give it a new set of clothes courtesy of cameraleather.com. They do a leather kit that is virtually identical to the original but I quite fancy the British Racing Green calfskin. Nice!

That’s the Rolleiflex 2.8F, then. A versatile, reliable, beautifully made camera that’s capable of the highest quality photographs. A little TLC and my Rollei will be fit enough to take outside again with a few rolls of XP2 for company.