Category Archives: Cameras

Super Ricohflex TLR

A fully manual 6×6 format camera, without light meter, using knob film advance with “red window”. Some models can use 35mm or 127 film (with two separate adapters). Using 127 film requires a Super Ricohflex with the multiple red windows on the back (plus the insert). Click here for photo. Some Super Ricohflex’s came with the Auto-Stop feature (though the red window was still present). It was also available as a user installed option.

Only the differences from (my) Model VII are noted.

Taking lens: 8cm f3.5 Anastigmat, same as VII but with more surfaces AR coated. On my Super Ricohflex all 6 surfaces are AR coated. This improvement over my Model VII may be due to the Super being a higher model or just because mine was made later. I have never noticed a difference in contrast between my VII and Super. And I use them for taking stereo photos so I take simultaneous shots under the same lighting conditions with both of them. (I always shoot with len shades ever since I have got them.) Lenses on later model cameras may be labeled 80mm.

Shutter: Riken shutter has two additional speeds (compared to VII): 1/10 and 1/200. The shutter cocking lever on mine is in a different location than the VII. It is below the taking lens, rather than at the 8 o’clock position of the VII. Other Super Ricohflexes have the cocking lever in the 8 o’clock position (this type appears to be more common than my type). The leaf shutter has three blades. Later models may have Riken shutter which has speeds from 1/10 to 1/300 plus a self timer.

Viewing lens: 8cm f3.5 Same as VII but all 6 surfaces are AR coated.

Flash: My camera is synced for electronic flash (X-sync) only. The 1/50 speed is marked in red which appears to indicate that it is the only flash sync speed. (On my camera the flash sync is a bit off at all speeds so I can’t tell for sure). Mine has a PC connector. A coldshoe is provided at the top of the left side (viewed from behind the camera). The factory installed Auto-Stop camera I know of doesn’t have the cold shoe (it is present on the case).

Film advance: same as VII. But the advance knob has a “film minder” dial that helps you remember whether there is colour or B&W film in the camera, and its speed. Some models have the Auto-Stop feature. This is known to be a factory and a user installed aftermarket option.

via Super Ricohflex TLR.

Repair Mamiya TLR Lenses

Recently my mamiya tlr 65mm lens got problem – the shutter blade won’t open at whatever speeds. I did some internet search and found some very useful information regarding repairing or fixing mamiya tlr lenses.

below is a summary of these information from various sources:

the first set of pictures are from flickr: Jones_Industries

Broken
1
2
4
3
6
5
Fixed
The second set of pictures are from soundsk
#1
#2
#3
Mamiya 65mm f/3.5 exploded view
Mamiya Service Manual 65mm Lenses
Shutter Blades cleaning
Clean and assembled, ready to shoot!!
Testing focus...
Most thankfully, soundsk also provided two exploded view of the lens, as below
photo

Mamiya Service Manual 65mm Lenses

Scans from the Mamiya Service Manual, courtesy of the very kind Jack Fisher from photo.net

 

photo

Mamiya 65mm f/3.5 exploded view

Scans from the Mamiya Service Manual, courtesy of the very kind Jack Fisher from photo.net

 

some detailed information regarding how to service / repair mamiya tlr or lenses can be found in a french blog site: http://tlr-mamiya-c.blogspot.sg/

of course, you can use google translate to make it to english

 

and lastly, an enlightening post on dpreview: http://forums.dpreview.com/forums/thread/2944339

Lessons learned from restoring old Mamiya TLR lenses
Jan 23, 2011

For the older photographers in our forum, that use or plan to use Mamiya TLR cameras and lenses. Here are my lessons learned from repairing a couple of used “chrome” Mamiya TLR lenses. The usual disclaimer, use the lessons learned at your own risk.

Zero, before you start handling the lenses wash your hands. Use a clean white towel on a well lighted table as your work area. Should a part or screw fall out it will not go far and can be seen.

First, do not remove the lens from the back plane frame, there is no need to access the lens from that side. Front and rear optical assemblies unscrew. There is no need to use a spanner wrench on the retaining clamps that secure the lens to the supporting frame.

Second, if the shutter will not cock the chances are a single screw has come loose within the shutter assembly that can be restored. This screw is located at the two O’clock position viewing the exposed taking lens shutter assembly straight on with upper rings and cam plate removed, viewing lens at 12 o’clock.

Third, if the shutter cocks but does not operate the blades when released a different screw is loose or has fallen out, that can be restored. This is located just south of the release lever mechanism. Check all screws for tightness.

Fourth, never use oil on any part of the shutter mechanism or ring assemblies or aperture assemblies.

Fifth, if the aperture blades mechanism is stuck or sticky, this can be cured using small amounts of 91% isopropyl rubbing alcohol applied with a damp Q-tip. To access the aperture internal assembly, This will require unscrewing the rear optical assembly. Work the mechanism manually using the aperture selector arm, do not touch the blades with your fingers and use another Q-tip to remove excess and any grime. Do not use oil. Be sure to remove any lint left behind by the Q-tips prior to reassembly.

Sixth, if the shutter ring is sticky or the clicks indents are not “sharp”, disassemble the two rings and clean them with isopropyl alcohol. Slightly bend the metal finger on the cam plate that engages the indents on the shutter selection ring.

Seventh, screws are tiny, and can be lost in a flash. For most repairs I have done only one screw has to be removed.

Eighth, acquire the proper tools, i.e. jewelers screwdrivers, needle nose tweezers, etc. A spanner wrench designed for lenses is required (see lesson 10) to remove the optical retaining rings that hold the individual elements. If you do this be sure to note on paper which side is up, in or out facing. Do not rely on your memory.

Ninth, use ROR per the instructions to clean the optics, and do not use canned air.

Tenth, use rubbing alcohol mentioned above with your finger tips (no fingernails, just skin) in a circular motion to remove fungus clouds from optical surfaces. It may require several times to completely remove the fungus. Do not allow excess to drip anywhere. Clean with a lint free, chemical free (no anti static chemicals used in the dryer), white cotton t-shirt. Then use ROR with a t-shirt to remove any residues.

So far, I have restored two Mamiya TLR chrome shutter lenses and both are working fine now. They were a lost cause when I started. They are simple in design and easy to restore.

If you have any second thoughts I recommend taking your lens to a repair facility. But if you are a risk taker and have some common mechanical sense, my lessons learned may prove useful. Search the web for other information sources, and photographs of the lens assembly.

Good luck,

d2f

 

Mamiya TLRs

Mamiya started out with a fairly low-end conventional TLR in 1948, following up with a number of quite classy Rollei-type models, most using its own Sekor lenses, sometimes Olympus Zuiko ones. Then in 1957 it went for the professional market in a big way, with the giant “C” series of folding models with interchangeable lens sets (different series, chrome and black, all Sekor, copied in concept from the unsuccessful French Rex Reflex interchangeable-lens model of the early fifties), eventually ranging from 55mm to 250mm.

The three photos immediately below are from a photoshoot which Ivor Matanle organised with my cameras for his April 2006 article in Amateur Photographer. They show four of my early (pre-C-series) cameras, the three earlier C’s, and then the C200 and C330, the late models. Following these pictures is the key section listing each camera individually – click on the thumbnail pic in each case to see larger versions.

 

The DEFINITIVE website for Mamiya C-series cameras is Graham Patterson’s Mamiya System Summary. I’m not sure he’s still maintaing these pages, as he told me a while back he’d moved to California with his work, but the tables and other information provided are a vital resource if you’re researching these unique cameras.

In May 2006, Ivor Matanle published an article on Mamiyaflexes in Amateur Photographer, in which he used my cameras for all the photos. This is reproduced HERE by kind permission of Gary Coward of AP.

If you have a good example of any of the models missing here, PLEASE LET ME KNOW

The early Mamiyaflexes (Pre-C Series)


Mamiyaflex Junior

The first of the line 1948 – fairly basic. This one is the second of three main variants, all front-geared focussing. “Made in Occupied Japan” on winder.
Lens Towa Koki Neocon 75mm f3.5
Shutter Stamina 1 to 1/200

Mamiyaflex I

Continuation of the front-geared line from 1951. The Mamiyaflex I and II are superficially very similar, but this one has no underline on nameplate.
Lens Setagaya Koki Sekor 75mm f3.5
Shutter Setagaya Merit 1 to 1/300

Mamiyaflex II

Very similar to Mamiyaflex I of previous year, but has sports finder, self-timer and cocking by film wind-on. Mamiya was starting to move up-market.
Lens Setagaya Sekor 75mm f3.5
Shutter Setagaya Merit 1 to 1/300

Mamiyaflex Automatic A

The classier A/B series were quite advanced – from c 1949. First Japanese Tlr with auto-filmstop, two dials for setting speed/aperture. Well made feel.
Lens Olympus Zuiko 75mm f3.5
Shutter Seikosha Rapid 1 to 1/500

Mamiyaflex Automat B

Dating from 1953, this dates from close to the end of the period when Mamiya still preferred Olympus Zuiko lenses for their top-end model (the A) and used Sekors for the B. The “Sekor” is still presented with the Setagaya Koki company name – they were soon to become “Mamiya-Sekor”
Lens Setagaya Koki Sekor 75mm f3.5
Shutter Seikosha Rapid 1 to 1/500

C Series Mamiyaflexes (Bellows Models)

The C series (early ones badged “Mamiyaflex”, later ones just “Mamiya”) were a major departure in TLR development, using bellows for close focusing (dowwn to 7″) and a wide range of interchangeable paired lenses.


Mamiyaflex C

The original C Professional was launched in 1956/7, and is very rare, with production rapidly swithched to the improved C2 (right). It is distinguished by having only one focus knob (usually on the right, although I believe some left-handed ones were made.

Lens here is Sekor 80mm f2.8 (silver)
Seikosha-MX Shutter 1 to 1/400


Mamiyaflex C2

The C2 was launched in 1958, improved mainly by two focus knobs rather than one, by a removable hood and the Seikosha-S shutter on the standard lens. Rack extension/ bellows focus down to 7″ transformed the TLR market. SHutters were also improved.
Lens here is Sekor 80mm f2.8 (silver)
Seikosha-S Shutter 1 to 1/500

Mamiya C3

The C3XX series differs from the C2xx chiefly by having a film-advance crank, rather than a knob. Auto exposure prevention. This is the first of the long-lived series, made c 1962

Lens here Sekor 80mm f3.7 (black)
Copal Shutter 1 to 1/500


Mamiya C33

The C33 series succeeded the C3 c 1965. Film-advance crank now tensioned the shutter. Automatic parallax compensation.

Lens here Sekor 135mm f4.5 (black)
Seiko Shutter 1 to 1/500


Mamiya C22

The first of this series was the C2, succeeding the Mamiyaflex C. The C22 (1966) is a lighter body with knob advance. 120/220 backs available.
Lens here Sekor 80mm f2.8 (silver), with Seikosha-S Shutter 1 to 1/500

Mamiya C220

Followed the C22 (1968). Small crank on wind knob. Single back takes 120/220 film. Later (1982) succeeded by a C220f with minor improvements.
Lens here Sekor 180mm f4.5 (silver), with Seikosha-S Shutter 1 to 1/500

Mamiya C330s

Last of the line (1983) after intermediate C330f. Lighter body, parallax indicator in viewfinder. Still widely used, top-quality camera. The linked page (click thumbnail) has a picture of a strange “Special Edition” of this camera.
Lens here Sekor 55mm f4.5 (black) with Seiko Shutter 1 to 1/500

via WWW.TLR-CAMERAS.COM/Mamiya.