Category Archives: Cameras

The Amazing Rolleiflex TLR!

Every month we have hundreds of used cameras come through Seawood. And even a self-proclaimed camera junkie such as myself gets somewhat jaded looking through the myriad of gear. But every now and then someone opens a bag or a box and I have to catch my breath because inside there’s a ROLLEIFLEX!

There’s something about that marquis that makes it special. Maybe it’s the history of usage by some of the world’s greatest photographers such as Irving Penn, Richard Avedon, Robert Doisneau, Imogen Cunningham, Helmut Newton and such.

Or perhaps it’s just that the cameras themselves are so damn cool! Post-war Rolleiflex twin-lens reflex cameras are as good as cameras get.

While Rollei wasn’t the only manufacturer to build a quality TLR camera, (Mamiya, Zeiss, Voightlander, etc) they certainly perfected it.

Medium format cameras have an obvious advantage over 35mm cameras due to film size (at least 3x larger). There are problems, however, with having such a large shutter curtain thwacking open and closed when the camera is fired. This causes blurred photos due to unwanted vibrations at low shutter speeds. Most cameras don’t have an instant return mirror, so you have to advance the camera and cock the shutter before you can re-compose your subject, making sequential photos difficult. Flash synch speeds are only 1/60th or below in most cases.

TLR’s don’t share these maladies. Leaf shutter lenses have virtually no vibration. I routinely get razor sharp hand-held images at 1/30th and below with my Rollei.  Since you are viewing through the top lens while the bottom lens is doing all the work the viewfinder never goes dark, even while the camera is being fired.

Flash synch works at all speeds, making balanced fill-flash a breeze in sunny conditions.

The biggest problem with TLRs is parallax. Because you are viewing through a lens that is centered an inch or so above the actual taking lens, what you see is not what you get.  Not such a big deal when shooting to infinity, but a real problem under 10’.

To address this Mamiya used to sell a rather goofy device called a Paramender. This attached to your tripod and allowed you to quickly lift your camera at time of exposure so that the taking lens is moved to where the viewing lens used to be.

Rolleiflex devised a much more elegant way to deal with parallax.  As you focus on close objects the viewfinder window automatically crops the image to accurately frame the image. Brilliant!

Speaking of viewfinders, the Rollei waist-level finder is work of art. It snaps open and closed quickly. There is no need to fold down three sides of the finder before you close it; just pull the door shut. (I love viewing through a waist-level finder. With a single lens reflex camera, as soon as you place your eye against the viewfinder you become a part of what you are viewing. Looking down on a ground glass with a TLR, you can be much more objective about composition.  It’s like looking at transparencies on a lightbox.).

Critical focus is easily checked by flipping out the built in loupe.

Though the image you see is right side up, it is backwards from left to right, so panning on a moving object takes some getting used to.  For this reason some models have a built in sports finder. This is quite ingenious. First, you focus on the ground glass. Then, with the finder open, you push in a panel on it’s front. This folds inside, allowing you to peer straight through a target window in the back of the finder. Viewing through this lets you frame your subject.

As if this wasn’t cool enough, there is a small window below that one that allows you to see a reflected image of the ground glass so you can check focus without taking your eye off the back of the camera (upside down, and dim, but hey, it works!)  Later models such as the 2.8E and F have interchangeable finders, including a prism for eye-level viewing.

Rollei made lots of interesting accessories for the later models, including:

  • The Rolleimeter: Do you prefer rangefinder focus? Rollei made a gismo called a Rolleimeter that affixes to the front of the open sports finder. There is a focus-spot in the center of a clear piece of glass that lets you align a double-image, just like an M-Leica!
  • The Rolleikin: This is an adapter that allows you to use 35mm film in the Rollei. Why, you ask? Well, the 80mm lens is perfect for portraits in 35. And as you are only using the ‘sweet spot’ of the lens, the results are remarkable.
  • Stereo Adapter: A slide bar that lets you take stereo-pairs for 3d photography.
  • Panoramic Mount: Camera rotates to up to 10 click-detents with frames barely overlapping.
  • Binocular Focusing Hood: Focus on the ground glass with both eyes. Great for use in bright surroundings. Get you lots of strange looks, too.
  • Mutars: Since you can’t change lenses on a Rollei, you simply add them!  A wide angle and telephoto lens was available.
Rollei also had special camera models with a permanently affixed wide angle or telephoto lens.The wide angle has a Zeiss 55mm Distagon f4.0 lens and a special sports finder that shows the wider field of view.
This is one of my favorite cameras. Razor sharp, light and build like a tank.The Tele Rollei has a 135mm Zeiss Sonnar f4.0. lens. Great portrait lens, but only focused down to two meters (which is why the next photo shows the nifty swing-away close focus adapter!).
Rollei TLR’s became a bit more modernized with the advent of the GX models in 1987. Though basically the same camera, they added an LED light meter to the viewfinder and SCA system TTL flash capability.

New Rolleiflex F series cameras are still being produced today! They have even re-introduced the Tele and Wide Angle cameras.

Considering the build quality and fine optics, used Rolleiflex TLR’s are quite a bargain at current market prices. Excellent condition models with the slower 3.5 Zeiss Tessar or Schneider Xenar lenses generally sell for well under $500.

Brighter 2.8 models are available for under $800, and the very coveted 2.8F model (uses 120 or 220 rollfilm) goes for around $12-1500.

So, if you see anyone with a bag or a box full of cameras and one of them happens to be a Rolleiflex, don’t let it get away!

Source: Seawood Photo

 


[If you like this blog, please take a few seconds to take a look of the ads below. Thank you. TLRgraphy will continuously collect the best information about twin-lens reflex cameras]

 

Rolleiflex Photos

via Flickr: Rolleiflex content tagged with rolleiflex.

Yashica Mat 124 Cleaning : Taking Lens

A Great tutorial on how to clean the normal taking lens

 

Yashica Mat 124 Cleaning (1 of 4): Taking Lens

Yashica mat 124 with front taking lens removed

The next four posts will be on the cleaning I finished today on my Yashica Mat 124.  This was not a full CLA (clean-lube-adjust) mostly because I’m not confident I’d be able to get it working again if I got into the precision mechanisms on the camera.  Instead, I focused on fixing the major problems I mentioned in First Shoot Results: Yashicamat 124 Issues: an oil-fogged taking lens and a major light leak.

There are four parts to this series (I’ll link them up as I get them done):

  1. Cleaning the taking lens (this post).
  2. Cleaning the viewing lens, mirror, and screen.
  3. Light seal replacement on the door (to fix the light leak).
  4. Fixing the light meter (a.k.a. retrofitting a battery to work).

I am posting this information because I believe it can be helpful to the general public, both for fixing up old Yashica Mats (these techniques will likely work on a 124G also) and just to show that if I can fix up an old camera, you probably can too!

Of course, I need to give the standard disclaimer: attempting this procedure could easily damage your camera and/or lenses.  So know the risks going in, and if in doubt, take it to a professional!

* * * * *

I started by cleaning the taking lens mostly because it was the task I was most afraid of, and if I screwed up the main lens or shutter, there’s no point in putting time into the other stuff.  Cleaning the taking lens requires removing one or more of the lens elements using a spanner tool.  The spanner tool fits into these little notches on the lens:

detail of front of Yashicamat 124 taking lens

Of course, I don’t have a spanner tool.  And, they cost $20 or more (and I do not think a regular spanner can reach into the back of a 124, but correct me if I’m wrong!).  The other option was to take the $70 camera into a shop and pay more than the camera is worth, so it was time to figure something out.  I eventually settled on this odd tool:

DIY spanner tool

Yes, this is two blocks of wood, screwed together, with nails through the cube-like chunk.  I drilled holes in the wood to prevent the wood from cracking.  The idea was that the nail points would act like the spanner tips, and I could bend the nails to adjust it.  I hit a snag when I first applied the tool to the front lens element and it popped out of the notches, scratching my finish.  Yikes!

So, I backed off and regrouped, resigning myself to buying an actual spanner tool online.  But, after reading more (including this great thread at photo.net on cleaning the taking lens of a 124G), I realized that most people just jimmied something together to replace the spanner tool, and the lens really isn’t on there that tightly.  I also realized that my nail tips were way too blunt, so I sharpened them with a rotary tool:

Tip detail of DIY spanner tool

Then, placing the ‘tool’ (I loose the term loosely) into the notches, I was able to easily rotate the front element out.  It really does not take much force at all, which was a nice surprise for me.  I’ve heard you can do it with a screwdriver and a small hammer, but try to get a spanner before you try that!

Removing front element of Yashica mat 124 taking lens with DIY tool

Note the scotch tape over the lens to protect it in case I slipped.  The tape also makes it easy to rotate the lens out without using the tool once it is loosened.  Once removed, the blades of the shutter are revealed (the aperture is wide open and hidden):

Yashicamat 124 without front element (showing shutter)

Now, some people recommend cleaning the front of the rear element by forcing the shutter open on bulb with a locking shutter release.  Of course, I do not have one of those, and I did not want to run the risk of getting solvent on the shutter mechanism (which often wicks into the internals) so I decided to remove the rear element also.

I read online that it is possible to unscrew the rear element with your fingers (in gloves) so I tried that, but all I accomplished was smudging my lens with whatever lube was on the household gloves I used.  I DO NOT recommend that because it was quite hard to clean off.

Yashica mat 124 rear element with smudges from rubber gloves

Instead, I bent my homemade spanner into shape and got it out easily.  This is the back of the shutter:

Back of yashica mat 124 shutter

And these are the lens elements, front and back:

Front and rear elements of Yashicamat 124 taking lens

Front and rear elements of Yashicamat 124 taking lens (other side)

Note the paper towels that I laid down under my work area to keep everything clean and unscratched.

In my camera, pretty much all the oil residue (that was ruining my images) was on the front of the rear element.  I used rubbing alcohol, q-tips, and lens paper to remove it, but I’d recommend a better solvent if you can get it.  Definitely don’t use rubbing alcohol if it has anything in it besides alcohol and water!  And, avoid getting it in the camera body because the water in it can cause things to rust!

Then, I reassembled the lens elements.  Again, scotch tape came to my aid because it gave me good grip on the front element (screwing it in and finishing with the homemade spanner):

Using tape to replace front lens element

It also helped with the back element:

Tape stuck to the back element

Allowing me to lower it into place with pliers (I don’t want anything scratched in the light box!):

Lowering rear element into place

Sadly, it was too hard to screw it back in with the tape, so I used a pointy tool to push on the notches until it was screwed in, then tightened it (lightly!) with the spanner.

Screwing Yashicamat 124 rear element back into place

And, the end result?  A perfectly clean lens (well, there are a few specs of dust in it):

A view through a cleaned Yashicamat 124 lens

I’ll tell you, this fix had me very worried and it took me two weeks to start on it because I did not realize how easy it would be to remove the lens elements.  Don’t hesitate to try this on a cheap camera yourself if you can handle the risk of damage.  Just go slow, be careful, be careful again (one slip of a screwdriver can do damage!), but realize you don’t necessarily need to hire someone to clean your lens!

If you have any questions, let me know.  And next time, I’ll let you know how the viewing lens and screen cleaning went!

via Yashica Mat 124 Cleaning (1 of 4): Taking Lens « Used Camera Database Blog.