Tag Archives: rolleiflex

Rolleikin 35 mm. Back Instructions

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Rollei Rolleikin 35 mm. Back (with pictures)

Rolleikin 3.5 and 2.8 A. Installing the Counter-knob B. Assembling the Rolleikin
C. Loading D. Film Transport E. Rewinding
F. Note Bottom of page

Parts of the Rolleikin back

Rolleikin 3.5 and 2.8Fits Rolleiflex 6 x 6 above numbers 1,100,000 and Rolleicord above numbers 1,137,000. (The combination back for two picture sizes was originally not provided with the first camera series, but could be ordered additionally). Earlier Rollei-models 6 x 6 use Rolleikin I (with special back).

Designed for: Taking up to 36 exposures 1 x 11/2 in. on 35 mm. film. Ideal for series of pictures and color photography on miniature film.

The attachment consists of:

  1. Case
  2. Film Guide Frame
  3. Take-up Spool
  4. Exposure Counter Knob (not required with Rolleikin 2.8)
  5. Extension Spindle for Rewind Knob (two types, for previous and new Rollei models)
  6. Inner Spool Knob
  7. Focusing Screen Mask
  8. Direct Viewfinder Mask
  9. Lens Hood Mask

A. Installing the Counter Knob (not required with Rolleikin 2.8)

(The exposure-counter-knob accepts 35 mm. film and 120 film)

  1. Remove the top film-knob by unscrewing the three countersunk screws.
  2. Fasten counter-knob tightly by means of the three screws supplied.
  3. Remove protective lining from gummed insert and paste it on the counter knob.

Assembly

B. Assembling the Rolleikin

  1. Adjust film pressure plate by a sliding movement, pressing down at the same time, thereby bringing the inscription 24 x 36 mm. (not required with Rolleikin 2.8) into view.
  2. Pull counter-knob, fit take-up spool on the right and insert completely.
  3. Rewind-parts: Screw extension-spindle on rewind-knob by rotating the latter. Snap inner spool-knob over opposite spool bearing pin, (slipping the metal tongue between the rollers of the film-feed when using a Rolleiflex).
  4. Inserting the film-guide frame: Press spring actuated clamp-bar at an acute angle (as shown) against the bottom of the film gate and insert completely. To remove: Push frame downward (against the clamp-bar) and lift out.
  5. Place ground-glass mask (in fitted position) on ground glass screen and slide under front clip, snap down and secure by depressing clip of retaining device at rear of focusing hood. Be sure the mask is properly centered and not jammed inside the ground glass frame.
  6. Insert the framefinder mask underneath the button above the framefinder in such a way that the edge is pushed in first, then press the two lateral fixing buttons into position. (see illustration below)

Loading

C. Loading

  1. Open camera back, pull rewind-knob, fit in film cartridge on the left and then insert fully.
  2. Introduce the film-lead (which – in the Rolleiflex – first passes through the film-feed rollers) into the double slit of the take-up spool, letting it touch on the right. Tighten up by giving spool a short turn.
  3. Make sure the mouth of the cartridge points straight ahead in line with the tightened film lead, then close back.
  4. Press-and-release counter-knob until the red dots of the Rolleikin counter face each other. (Disregard counter for 120 film completely)
  5. To set counter for the first exposure: Advance counter dial to No. 1 by actuating film transport three times.

Film Transport

D. Film Transport

  1. Press-and-release counter-knob before actuating film transport. The exposure counter advances automatically to the next number.
  2. Advance film as usual to the stop.

E. Rewinding

  1. After the last exposure has been made, rewind film by keeping counter-knob pressed down,
  2. simultaneously rotating rewind-knob clockwise.

F. Note

  1. The rewind also permits the removal of only partially exposed films. In order to prevent the film lead from slipping into the cartridge when rewinding, be sure to thread the film backwards i.e. against the winding direction into the double-slit of the take-up spool when loading. When rewinding a partially exposed cartridge, advance film two frames beyond the last exposure (skipping one frame for safety).
  2. Always adjust film pressure plate properly (see B1). (A sure sign of incorrect adjustment when using the Rolleikin: camera back will not close all the way)
  3. When installing the Rolleikin in the camera the empty roll film spool should be laid safely away in the Rolleikin case for later use since it must be used again when inserting the next roll of film.
  4. Shutter cocking as usual: With Rolleiflex, normal swing of the crank.
  5. Double exposure device is in operation in the Rolleiflex and cannot be disengaged when using Rolleikin. With Rolleicord it must be disengaged in order to unlock shutter.

via Marriott – Rollei Rolleikin 35 mm. Back Instructions.

Ricohflex

The Ricohflex was a series of 6×6 TLR made by Riken Optical Industries (Ricoh) in the 1950s. The focusing rings around the taking and viewing lens are geared up for synchronous focusing, just as previous Kodak Reflex I/II. Its coated Anastigmat triplet lens provides great result in its class. The Ricohflex has a simple, modular-designed and low-cost box structure.

List of models:

  • Ricohflex III (1950 September)

The Ricohflex III of 1950 had a pair of similar Ricoh Anastigmat 1:3.5 f=80mm lenses with AR coated. It was the world’s first mass-produced twin-lens reflex camera. {C}

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Ricohflex III
Click for more pictures

 

  • Ricohflex III B (1951 March)

The production volume was more than 10,000 units per month. Due to the massive production, Riken used a conveyor belt assembly line . {C}

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Ricohflex IIIB
Click for more pictures

 

  • Ricohflex IIII / IV (1952)

The first ones are labelled IIII which was later revised to correct Roman Numeral IV.

  • Ricohflex VI (1953 February)

The Ricohflex VI had a combination of Anastigmat camera lens and Viewer finder lens. {C}

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Ricohflex VI
Click for more pictures

 

  • Ricohflex VII (1954 February) [with Riken or Seikosha Rapid shutter]

The model VII was released to the market on February, 1954. It had a Ricoh Anastigmat 1:3.5/8cm front-element focusing lens geared to the Ricoh Viewer 1:3,5/8cm lens for viewfinder focusing. Most of it had a Riken shutter with B mode and speeds from 1/25-1/100 sec. The shutter used the same lever to cock the shutter (pull up) and fire the shutter (push down). The Seikosha Rapid version comes with B mode and speeds from 1-1/500 sec .The camera has the capability of using 120 film or 135 film with the optional COLOR BACK insert. {C}

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Ricohflex VII

 

  • Ricohflex VII M (SEIKOSHA MX shutter) (1954 October)
  • Ricohflex VII S (with self-timer) (1955 January)

The VII M model comes with a SEIKOSHA MX shutter with B mode and speeds from 1-1/300 sec.

  • Ricohflex Model T (Made in Taiwan version)
  • Super Ricohflex (1956)

There are at least 3 different versions of the Super Ricoflex, with different shutters and front plate styles. These model were primarily sold to the U.S. market. It’s the most sold Ricohflex.

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Super Ricohflex

 

  1. Ricohflex Holiday (1956 December)
  2. Ricohflex Million (1957 September)
  3. Ricohflex New Million (1958)

The Million has adjustable red windows for either 120 or 127 format (with exchangeable 127 film insert). Additionally it comes with a hot flash socket on the front plate.

Various copies of the geared-lens Ricohflex were made, including the following:

Bibliography Edit

Rolleiflex & Rolleicord White Face

The “White Facecameras were a special issue camera. There are only 5 models in total: 
The Rolleiflex T, Type 3, Rolleiflex 3.5F Type 5. The Rolleiflex 2.8F Type 4. The Rolleicord Vb Type 3. And the Tele-Rolleiflex. 
 
I am often asked “what is a White Face?” To the left you will see a picture of the White Face from a Rolleicord Vb. Below it you will see the face of a non-white face camera. In fact, the face is SILVER not white, but they have been aptly nicknamed “White Face.” All of the White Face cameras have this kind of face. Compare it with any other Rolleiflex or Rolleicord camera and you will see the difference. 
The Classic Rolleicord Vb Type 3. “White Face” K3Fb
Production Serial Numbers: 2.666.000-2.677.498.
Camera # Vb 2675054.
Lens: f3.5 Schneider Xenar # 12 112 538.
Shutter: Deckel Synchro-Compur 1-1/500 & B.
Filter Size: Bayonet 1.
This was a special edition camera. A new front lens panel was produced, which was nicknames “White Face.” It had the new company name of “Rollei-Werke Franke & Heidecke” below the taking lens with the letters Vb and the camera serial number.  Only 11,498 were produced. Camera had a new type of course grained black leather. 12-16-24 capability on 120 film with the use of masks. 
This camera does NOT take 220 film. 
The Classic Rolleiflex T Type 4
“White Face” K8T3
Production Serial Numbers: 2.314.000-2.320.298.
Camera # T2317719.
Lens: f3.5 Zeiss Tessar # 11 856693.
Shutter: Deckel Synchro-Compur X 1-1/500 & B.
Filter Size: Bayonet .
Special face plate with Rollei-Werke Franke & Heideke followed by T and serial number underneath takig lens. 
Camera had thicker black leather with large grain. From serial number 2.315.800, this camera was available with a Schneider Xenar lens. 
The Classic Rolleiflex 3.5F Type 5
“White Face” K4F/2
Production Serial Numbers: 2.845.000-2.857.149 and
3.555.000-3.559.999.
Camera # 3.5F 2856520.
Lens: f3.5 Schneider Xenotar # 12449750.
Shutter: Deckel ynchro-Compur MXV. 1-1/500 & B.
Filter Size: Bayonet 2.
This camera has the 120/220 option which permits 24 exposures on 120 film.  It also has the built-in meter. Camera number is located beneath taking lens. and has the company name, “Rollei-Werke Franke & Heideke” 
There are six variations of this camera including lens change: Planar or Xenotar, and the 120/200 option plus name change.
The Classic Rolleiflex 2.8F Type 4
“White Face” K7F4
Production Serial Numbers: 2.900.000-2.959.999.
Camera # 2.8f 2952526.
Lens: f2.8 Schneider Xenotar # 12 109506.
Shutter: Deckel Synchro-Compur MXV. 1-1/500 & B.
Filter Size: Bayonet 3.
This model, in the 2,9XXX range, was only available with the Xenotar lens.  Black leather with coarse grain. Built-in exposure meter.  Camera available with or without 120/220 option.  Camea serial number is located below the taking lens and is preceded by the letters 2.8F . The company name, Rollei-Werke Franke & Heidek is also below the taking lens.
This camera was also made in the 2,4XXX range and had the Planar lens witn or without the 12/24 option.  
The Classic Rolleiflex 2.8F Type 2
“White Face” K7F2 with 12/24
Production Serial Numbers: 2.451.851-2.479.999.
Camera # 2.8f 2,476.704
Lens: Carl Zeiss Planar 
Shutter: Synchro-Compur MXV. 1-1/500 & B.
Filter Size: Bayonet 3.
This model was produced with the Planar lens.
Black leather with coarse grain. Built-in exposure meter.  Camera available with or without 120/220 option.  Camera serial number is located below the taking lens and is preceded by the letters 2.8F . The company name, Rollei-Werke Franke & Heidek is also below the taking lens.
The Classic Rolleiflex 2.8F Type 2
“White Face” K7F2
Production Serial Numbers: 2.451.851-2.479.999.
Camera # 2.8f 2,477,589.
Lens: Carl Zeiss Planar #5389264
Shutter: Synchro-Compur MXV. 1-1/500 & B.
Filter Size: Bayonet 3.
This model was produced with the Planar lens.  Black leather with coarse grain. Built-in exposure meter.  Camera available with or without 120/220 option.  Camera serial number is located below the taking lens and is preceded by the letters 2.8F . The company name, Rollei-Werke Franke & Heidek is also below the taking lens.
Rolleiflex 3.5F Type K7F/2
White face-12/24- Very Late Edition
Production Serial Numbers: 3,555.000-3,559.999
Camera #3.5F. 3,556,071.
Lens: Zeiss Planar # 2050185 (NEW)
Viewing lens: Heidosmat # 5129336 (NEW).
Filter Size: Bayonet 2 
There is some confusion on the model number for this camera. Prochnow says Type 3. Evans and Parker both say Type 5.
This camera has the 120/220 option which permits 24 exposures on 120 film.  It also has the built-in meter. Camera number is located beneath taking lens. and has the company name, “Rollei-Werke Franke & Heideke” 
There are six variations of this camera including lens change: Planar or Xenotar, and the 120/220 option plus name change

[If you like this blog, please take a few seconds to take a look of the ads at the end of the post. Thank you. TLRgraphy will continuously collect the best information about twin-lens reflex cameras]