MAMIYA C330F – magnusslayde.
Description and function of the C330F camera, and it’s capabilities, flaws and quirks.
The MAMIYA C-330F was the final version of the “C” series cameras built by the MAMIYA camera corporation of JAPAN. The “F” model was the final model produced into 1980 by the MAMIYA corporation, it was a moderatly priced unit that came with an 80mm (normal) lens, that allow professionals, and advanced amateurs to create with a great deal of flexibility and capability in the medium format 6cmX6cm (2.25″x2.25″) square realm. The twin lens system on an extension bellows allowed for extreme closeups without the use of closeup lenses or extensions, and there are a number of accesories available for this camera as well. Here are it’s following abilities;
- uses 120 and 200 film
- Self cocking with film advance on most of the lenses (not on the 180 or 250mm though)
- Double exposure capable
- Interchangeable focus screens
- right angle viewers (porrofinders) available
- parallax correction devices
There are a number of safety interlocks to prevent ruining film, or accidental exposures from occuring, until the user get’s used to them, they can be detrimental to action photography, as it’s easy to mis a shot from not setting things just right on the camera. The porro finders also suffered from low light when used, mostly with the mirror type, but some complaints with the prism were heard as well. The lenses are all excellent quality and design, the give supperior photos, usually only seen with German or Russian optics, comparable to the Japanese lenses used in the KONI OMEGA Rapid 100,200 and M series. The lenses available are as follows;
- 55mm (wide angle) F4.5
- 65mm (wide angle) F3.5
- 80mm (normal) F2.8
- 105mm (normal ,good portrait lens) F3.5
- 135mm (telephoto) F4.5
- 180mm (telephoto) F4.5
- 250mm (telephoto) F6.5
Some users including myself have found that the 180mm and 250mm old style lenses don’t quite fit the MAMIYA C330F camera, the lens connection is the same, but he aluminum and steel cases of the lenses are just a little too big, and jam the self cocking lever. I have a perfect old style 180mm that I carefully marked with a map pencil as to the area of the case that the cocking lever rubs across when operating, and then ground down the case in that area with a DREMEL rotary tool, and the used sanding cuffs the the dremel to smoooth it out, now the camera works with the lens, and allow the film to advance, with the 180 and 250mm you have to cock the lens manually anyway, so this isn’t a big issue.
Manual for C330F
Photos by Mamiya C330F:
A beautiful set about portrait:
Another set about landscape and stills:
hello reality – The Yashica 12: A Review.
Geof did a review on Yashica 12 TLR. Based on the production quantity, the number of Yashica 12 produced is only one third of Yashica 124. Guess what, the number of yashica 12 existing is only 5.4% of the famous Yashica 124G.
The Yashica 12 is a 120 medium format camera. It takes 12 photos on a roll of 120 film, producing a 6x6cm or 2.25×2.25in negative. It has a 5×5 grid to aid composition. The square format was absolutely fantastic. Being used to a 35mm and similar digital aspect ratio, this format was a nice experience. It gave me fresh compositions, and forced me to think differently.
The camera is pretty straightforward. It’s entirely mechanical. The fact that it has lasted nearly half a decade is a testament to its durability.
Glass and Bokeh
While the Yashica-12 isn’t quite as iconic as the Rollei TLRs, it’s build quality is fantastic and the glass is fairly decent. The 80mm f3.5 Yashinon lens produces sharp images and pleasant bokeh.
This camera isn’t the lightest. But I wouldn’t hesitate to take it on a short hike. It’s dimensions fit pleasingly in the hands. The leatherette is still intact, and looks like it will last some time.
This camera is pretty fantastic. Sure, it doesn’t have iTTL, or even a functioning light meter (the mercury riddled batteries for it are no longer made). But, it’s enjoyable to shoot with. It’s slow operating, and only takes twelve shots to a roll. It may not seem attractive to todays PowerShot strutting user, but that’s not the point. This camera’s purpose is to enforce the user to take their time. Compose their image. And ask the often overlooked photography question: “Is this worth taking a photo of?”